“Vocally, the most memorable performance comes from Richard Hamrin’s Marcello, with fire and steel in his powerful baritone.”
Kristina Lindquist, DN​
“The ensemble is overall brilliant, not least Richard Hamrin’s captivating Marcello, who draws both eyes and ears to him.”
Gunilla Brodrej, Expressen​
“Richard Hamrin’s Marcello often stands at the center as a steady rock, with a beautifully resonant, stable baritone.”
Bo Löfendahl, SVD​
"Richard Hamrin is in every way convincing as the thoroughly corrupt lawyer Billy Flynn, who sways both jury and audience with his unusual mix of suave opera baritone and slick musical-theatre performer." ​
Bo Löfendahl, SVD​
"Richard Hamrin is Billy Flynn down to the smallest detail – a slimy, ruthless lawyer. A real bastard, but a brilliant one. I cannot imagine anyone else in the role. And what a voice!"
Kulturinformation (Danish online magazine)​​
"An impressive breakthrough for Richard Hamrin." "This gripping monologue is one long virtuoso number."
Bo Löfvendahl, SvD
"The real miracle at Folkoperan is called Jenny, one of the prostitutes, played by Richard Hamrin, tall and slender and dressed in black, as if unseen by the others, as though Jenny and the 'Song of Solomon' embodied all the sorrow and melancholy that this production speaks of in silence. A chilling moment that you gratefully tuck away in your heart."
Leif Zern, DN
"Richard Hamrin can make everything fade around him just by casting a glance, in Folkoperan's The Threepenny Opera as well as now as the god of death, Pluto."
Hanna Höglund, Expressen
"Richard Hamrin is brilliant as Jenny, who without hesitation betrays Mackie, her former partner. A solitary figure, draped in translucent black. In the 'Song of Solomon' he elevates the production and makes us aware of the sorrow and darkness that, amidst the beggar's confetti, exists in both Brecht and Weill — the sense of an impending catastrophe."
Ingvar von Malmborg, Tidskriften Opera